HomeMy WebLinkAboutOrdinance No. 09-O4ORDINANCE NO. 09-04
AN ORDINANCE OF THE CITY OF AZUSA,
CALIFORNIA, ADOPTING THE CITYWIDE ART IN
PUBLIC PLACES POLICY MANUAL BY AMENDING
CHAPTER 2, ARTICLE V, DIVISION 3, AND ADDING
CHAPTER 88.39 OF THE AZUSA, MUNICIPAL CODE
WHEREAS, to maintain the aesthetics of the City, the City Council finds that
development in the City should be planned and executed with a view toward enhancing the
visual character and beauty of the City; and
WHEREAS, cultural and artistic resources, including artwork, enhance the quality of life
for individuals living and working in, and visiting the City; and
WHEREAS, balanced development of cultural and artistic resources preserves and
improves the quality of the urban environment and increases real property values; and
WHEREAS, the Azusa City Council desires to enhance the community by facilitating
opportunities to provide for cultural enhancement through an Art in Public Places Program; and
WHEREAS, residential and commercial development throughout the City will benefit
from public art, both financially and visually, as all property within the City will prosper through
the enhancement and preservation of property values that will result from the location of visual
art throughout the City; and
WHEREAS, establishment of the Art in Public Places Program will promote the general
welfare through balancing the community's physical growth with revitalization through the
addition of cultural and artistic resources.
NOW, THEREFORE, THE PEOPLE OF THE CITY OF AZUSA DO ORDAIN AS
FOLLOWS:
SECTION 1. The City Council of the City of Azusa hereby adopts the recitals in this
ordinance as findings to support the adoption of this ordinance.
SECTION 2. Chapter 2, Article V, Division 3 of the Azusa Municipal Code, is hereby
amended to read as follows:
DIVISION 3. ART IN PUBLIC PLACES COMMISSION
Sec, 2-386. Creation of Art in Public Places Commission.
The Azusa Art in Public Places Commission is hereby established to guide the Art in
Public Places Program, as described in Chapter 88.39 of this code.
Sec. 2-387. Composition; appointment and removal.
The Art in Public Places Commission shall consist of five members to be selected as
follows: each member of the City Council shall select one member of the Art in Public Places
Commission. Members of the Art in Public Places Commission must be selected from an
existing City Board or Commission. Art in Public Places Commissioners may be removed in
accordance with Section 2-32.
Sec. 2-388. Terms; vacancies.
The terms of office shall be for four years.
Sec. 2-389. Qualifications; compensation.
The members of the Commission shall be residents of the City for a continuous period of at
least one year immediately preceding appointment to the Commission, shall be qualified electors
of the City and shall receive such compensation as the City Council may determine from time to
time by ordinance.
Sec. 2-390. Election of officers.
At the first meeting of the Commission and annually thereafter, the Commission shall
elect a chairman and vice-chairman.
See. 2-391. Duties.
The Commission has the. following duties:
A. Render decisions on Art in Public Places applications pursuant to the provisions of
Chapter 88.39.
B. Provide guidance to Project Applicants regarding public art, pursuant to the
provisions of Chapter 88.39.
SECTION 3. Chapter 88 of the Azusa Municipal Code is hereby amended by adding
Chapter 88.39, Art in Public Places Program, to read as follows:
Chapter 88.39 Art in Public Places Program
88.39.010
Purpose
88.39.020
Definitions
88.39.030
Findings
88.39.040
Program Applicability, Art Allocation
88.39.050
In lieu Fee
88.39.060
Determination of Building Valuation
88.39.070
Permissible Uses of Art Allocation
88.39.080
Prohibited Uses of Art Allocation
88.39.090
Art in Public Places Fund
88.39.100
Artist and Artwork Selection; Art Consultant
88.39.110 Value Verification
88.39.120 Application Process
88.39.130 Review Criteria and Requirements
88.39.010 Purpose
This Chapter shall be known and cited as the Azusa Art in Public Places Program, the
intent and purpose of which is to enhance the physical appearance of the community by
facilitating and promoting opportunities to provide for cultural enhancement. The Art in Public
Places Program also has the following goals:. to distinguish Azusa as a special place to live,
work, play, and visit; to integrate the vision of artists with the perspective of other design
professionals into the planning and design of the urban landscape; to provide every member of
the community easy visual access to artworks from vehicles on major public streets; to provide a
means to counterbalance what many consider to be the "negative" effects of development (e.g.
construction noise, traffic, congestion, and pollution); and to strengthen cultural awareness,
creativity, and innovative thinking in the community.
88.39.020 Definitions. For purposes of this Chapter:
A. "Commission" means the Azusa Art in Public Places Commission, as established in
Azusa Municipal Code sections 2-386 through 2-391.
B. "Development Project" means any development project subject to the Program.
C. "Program" means the Azusa Art in Public Places Program established pursuant to this
Chapter.
D. "Project Applicant" means the individual or entity subject to and required to submit an
application to the Commission under the Program.
88.39.030 Findings. The City Council makes the following findings in connection with
the adoption of this ordinance and the fees established herein:
A. The purpose of this ordinance is to promote the purchase and development of public
artwork within the City of Azusa. All in -lieu fees collected shall be used to purchase and
develop public artwork within the City of Azusa.
B. There is a reasonable relationship between the acquisition of artwork through the
Program and the Development Projects on which the fees provided by this Chapter shall be
imposed because (1) artwork will enhance the real property values within the City generally,
including the Development Projects to which the Program will apply, and (2) artwork will
enhance the aesthetic values of the City as a whole, make the City an attractive place to live and
visit, thereby making the City more economically vital.
C. There is a reasonable relationship between the need for cultural amenities such as art
and the Development Projects to which the Program will apply, because the development of real
property generally necessitates that additional costs be incurred and amenities be provided to
provide for harmonious and aesthetically pleasing environments created by the development
project.
D. The amount of the art allocation is reasonably related to the artwork to be acquired
because the amount of the fee increases as the value of the Development Project to which the
Program will apply rises, so there will be a direct and proportionate relationship between the size
of the Development Project and the quantity or quality of artwork which can be purchased from
the fees generated by the Development Project to which the Program will apply.
88.39.040 Program Applicability; Art Allocation
Commercial and industrial development or residential projects of eight (8) dwelling units
or more, with a total building project valuation of seven hundred fifty thousand dollars
($750,000) or more, are required to select, purchase and install permanent outdoor art at the
development site, accessible and visible to the general public from public streets. The required
minimum art allocation shall be one percent (1%) of the total building construction valuation
(excluding tenant improvements), which is determined using the International Conference of
Building Officials (ICBG) tables in effect at the time building permits are issued. The maximum
art allocation per project will be set at $50,000.
All attached and detached additions to an existing commercial or industrial building, with a
valuation (for the addition) of seven hundred fifty thousand dollars ($750,000) or more shall also
comply with the Program.
88.39.050 In lieu Fee
In lieu of providing artwork in accordance with the provisions of this Chapter 88.39, the
Project Applicant may pay the Art in Public Places Fee established by separate resolution of the
City Council. Allocations paid in this manner will be used to provide art in public places
elsewhere in the City. Fees collected shall be deposited in the Art in Public Places Fund
established pursuant to Section 88.39.090.
88.39.060 Determination of Building Valuation
The minimum art allocation for each Development Project is equal to one percent (1%) of
the total building valuation of a Development Project. The total building valuation is computed
at the time building permits are issued, using the most current Building Valuation Data set forth
by the International Conference of Building Officials (ICBG). This information is issued
quarterly. Square foot value is based on the type of building construction, the proposed use of
the building, and the quality of construction. An initial building valuation is estimated by the
City's Building Official when the developer submits formal application plans to the City's
Planning Division. The building valuation is recalculated when the Development Project
receives building permits.
88.39.070 Permissible Uses of Art Allocation
The art allocation described in Section 88.39.040 may be used to pay for the following
expenditures: the artwork itself, including the artist's fee for design, structural engineering, and
fabrication; transportation and installation of the artwork; identification plaque(s) for the
artwork; mountings, pumps, motors or subterranean equipment, pedestals, bases, or materials
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directly necessary for installation of the artwork; lighting specifically illuminating the artwork;
art consulting fees which shall not exceed 10% of the total art allocation; and art appraisals
requested by City staff and/or the Commission.
88.39.080 Prohibited Uses of Art Allocation
The art allocation described in Section 88.39.040 may not be used to pay for the following
expenditures: expenses to locate the artist (e.g. airfare for artist interviews, etc.); architect and
landscape architect fees; landscaping around a sculpture, that is not included as part of the artist's
sculpture furnishings, including, but not limited to, functional structures, prefabricated water or
electrical features not created by the artist, and ornamental enhancements; utility fees associated
with activating electronic or water generated artwork; lighting elements not integral to the
illumination of the artwork; publicity, public relations, photographs, educational materials,
business letterhead or logos bearing artwork image; and dedication ceremonies, including
unveilings or grand openings.
88.39.090 Art in Public Places Fund
There will be, and there is hereby, established an Art in Public Places Fund, which shall be
a separate, interest-bearing account for all fees collected under this Chapter which shall be called
the Art in Public Places Fund account. The Art in Public Places Fund shall be used solely for the
acquisition, installation, improvement, and maintenance of artwork to be displayed in the City,
and for the administration of the Art in Public Places Program.
88.39.100 Artist and Artwork Selection; Art Consultant
The Project Applicant is responsible for selecting the artist(s) and artwork, provided both
meet the Program criteria. The Commission shall consider each artist and proposed artwork on a
case-by-case basis.
The Project Applicant may choose to hire an art consultant to assist with the selection of
the artist and the application process. The role of the art consultant is to research and present to
the Project Applicant, qualified artists who are able to create an appropriate artwork for their
specific project. The art consultant is responsible for providing written and visual collateral on
the artist(s) for the application. The Project Applicant may not apply more than ten percent
(10%) of the total art allocation toward consulting fees. Consulting fees in excess of ten percent
(10%) of the allocation shall be absorbed by the Project Applicant.
88.39.110 Value Verification
If City staff cannot verify the value of a proposed artwork (by past records of comparable
work sold, etc.), the City may choose to have the artist's proposal and/or other completed works
appraised by a qualified art appraiser selected by the City. The Project Applicant shall pay up
front for any art appraisal service fees. This expense may be deducted from the total art
allocation.
88.39.120 Application Process
A. Plan Review. Upon submittal of a development proposal for plan approval to the
City's Planning Division, the Planning Division will assess the valuation of the Development
Project. If the Development Project is valued at seven hundred fifty thousand dollars ($750,000)
or more, staff will inform the Project Applicant of the estimated I% art allocation for the
Development Project. The Project Applicant will be given full Program details including the Art
in Public Places Policy Application. Artwork must be approved prior to issuance of a building
permit and in place prior to issuance of a certificate of occupancy.
B. Artist Selection. If the Project Applicant chooses to purchase and install artwork
rather than pay the art allocation directly to the City, the Project Applicant must select an artist(s)
who meets the program criteria. The Project Applicant and selected artist should collaborate in
packaging the art application for review by the Commission.
C. Commission Review. The Project Applicant must submit the Art in Public Places
Application to the City's Planning Division, which will schedule an appointment with the
Commission for review of the application.
D. Notification and Follow-up. The Project Applicant shall be notified in writing of the
Commission's decision within ten (10) days of the review meeting. If the artwork is approved,
any outstanding items that must be completed by the installation date will be listed and given to
the Project Applicant.
If the artwork is not approved, the reason(s) for denial will be noted, including possible
modifications or additions which could lead to recommended approval. Should the Project
Applicant agree to the modifications, he/she may resubmit an application to the Commission for
reconsideration. The Project Applicant may also appeal the Commission's decision to the City
Council in accordance with the appeal process provided in Section 88.39.120(E). Once approved
by the City, the Project Applicant shall inform the City of the approximate date the artwork will
be installed.
E. Appeals. The Project Applicant must file the City Clerka written request for an
appeal within ten (10) days of notification of the Commission's recommendation. All items for
appeal should be addressed to the City Council. Upon filing an appeal, the City Clerk shall set
the hearing date and notify the applicant. The City Council may affirm, reverse, or modify in
whole or in part any Commission recommendation or requirement. The City Council's decision
shall be final and conclusive.
F. Unveiling Plans. The Project Applicant shall contact the Planning Division regarding
any unveiling or dedication ceremonies for the artwork. An unveiling or dedication is strictly
optional. In the event the Project Applicant chooses to conduct an unveiling or dedication, City
staff shall provide the Project Applicant with an invitation list of City Council Members and
Commissioners, and other appropriate guests. City staff shall work with the Project Applicant to
promote press opportunities and public interest in the artwork.
88.39.130 Review Criteria and Requirements
A. Artistic Qualifications.
1. Experience. Artists should be working artists, who have a portfolio which includes
outdoor art. Qualified artists should have experience in design concept, fabrication, installation,
and long-term durability of large-scale exterior artworks. Artists must be able to successfully
collaborate with design teams, architects, art consultants, developers, engineers, fabricators, and
landscape architects, and meet scheduled deadlines. Artists should also have experience in
negotiating and contracting their work responsibly. Artists who do not meet these criteria will
not be approved by the Commission.
2. Verification of Past Works. Artists must be able to verify the value of the proposed
artwork, based on their previous and current public art commissions. The Commission will look
for purchase prices of similar works sold by the artist (by size, medium, etc.) which
progressively increase toward, or exceed, the proposed commission amount. The City may
request records, including but not limited to, sales contracts, invoices, and payments. Gallery list
prices or asking prices of works are not necessarily comparable, as they are not records of a
willing buyer. If the value of the proposed art piece cannot be verified (by records of past
comparable sold works, etc.), the City may choose, at its sole discretion, to have the artist's
proposal and/or other completed works appraised by a qualified art appraiser. This expenditure
shall be counted toward the total art allocation, and shall be home by the developer. The value
of the proposed artwork shall be verified prior to Commission review as to not delay the
approval process.
B. Artwork Criteria.
1. Artistic Expression and Innovation. Proposed artworks shall demonstrate how they will
effectively engage the public, and invite a "second look." Works engaging to the public are
often described as thought provoking, inspiring, entertaining, clever, whimsical, powerful,
reflective, or symbolic. Innovation and originality are encouraged and expected. The
Commission takes interest in the artist's creative thought process in relationship to the specific
Development Project. Therefore, existing works are not generally encouraged. Artists shall be
able to thoroughly discuss the following elements of their proposal with the Commission:
expressive properties (mood, feeling, message, symbolism) and formal properties (balance,
emphasis/dominance, repetition/rhythm, unity, form/shape, texture, color).
2. Scale and Content. Artworks must be appropriate in scale, material, form, and
content to their immediate, general, social, and physical environments. The artwork shall not
look like an afterthought to the development. The following are not acceptable:
a. Mass produced reproductions or replicas of original works of art. Exceptions are
signed sculptures by the original artist for reproduction. (Edition limit: 5).
b. Functional equipment, which may be considered part of an amenities package, such
as benches, chairs, fountains, etc.
C. Decorative or ornamental pieces which are not designed by a qualified, acceptable
artist, including historical markers or bells, bell towers, obelisks, minor architectural
ornamentation, and garden sculpture.
d. Art as advertisements or commercial signage mixed with imagery.
3. Permanence and Materials. The following are recommended materials: bronze,
stainless steel, high-grade aluminum, hard stone. The following materials are not recommended:
Cor -ten steel, wood, soft stone (e.g. alabaster). Other materials not listed may be considered, in
the event the artwork application includes a comprehensive maintenance plan, which meets the
interest and standards of the Commission and staff. Rust proof materials must be used whenever
possible. Artists will be asked to provide a breakdown by percentage of metal alloys for bronzes
from foundries. Thickness and grade/quality of steel works will be reviewed for rust proof
durability. Artists shall take note of which materials (including nuts, bolts, and other metal
fixtures) will be in contact with each other that may produce oxidation and rust. Artists must be
able to clearly demonstrate the quality, craftsmanship, and durability of their artwork.
Substantial consideration shall be given to structural and surface integrity and stability,
permanence and weathering, resistance against theft, vandalism, and the probability of excessive
maintenance and repair costs. Artworks must be constructed of durable, long-lasting materials
that are able to withstand outdoor display, and require low levels of maintenance. When
selecting an art piece, Project Applicants shall keep in mind that property owners are legally
responsible for the maintenance of the artwork for its lifetime.
4. Multiple Editions. If the proposed artwork is one of multiple editions, the applicant
shall include the edition number of the piece, and provide the location of all other editions. To
maintain the value of the proposed artwork, similar editions may not be publicly displayed
within a fifty (50) mile radius of the Azusa Development Project site, unless both the
Commission and the owner of existing and/or future editions grant permission.
5. Water Features and Fountains. Water feature pieces, or artwork requiring water,
must be conceptually designed by an acceptable, qualified visual artist in order to be considered
for the Program. The artwork must stand on its own should the water cease to function properly.
There must be a demonstrated collaboration between the artist and the water feature design
company. The intent of the Program is to promote the work of visual artists, not water feature
design companies. Water related costs, such as pump and pool construction, will be evaluated by
the Commission for consideration as part of the overall art allocation. Project Applicants are
welcome to exceed the arts budget to construct a water feature. However, water features will not
be accepted in lieu of the Art in Public Places requirement. No more than thirty percent (30%)
of the total art allocation may be utilized for water -related costs.
C. Site and Installation Requirements.
1. Visibility. Artwork is to be located outdoors and easily visible to both motorists and
pedestrians from a major public street. Distance from the artwork to the public street should
typically not be greater than fifty (50) feet. Artwork may not be placed near monumental signs,
sign walls, bus benches, or utility boxes, as these structures may impede the public's view from
the street or diminish the aesthetic value of the artwork. Lettering, symbols or signage are not
permitted upon the artwork or its foundation, except as intended by the artist. Visibility to the
general public is the key criteria in approval of artwork location. Exceptions can be made for
large open or enclosed public areas such as shopping malls, which may have their art piece(s) in
an interior public location.
2. Signage. Permanent signage of any type is not permissible in or around the
immediate area of the artwork. This includes the foreground, background, or adjacent areas of
the artwork. Signage should not distract or diminish the aesthetics of the artworks, when the
public views the artwork from the most accessible vantage points (e.g. intersections, entryways).
The Commission will review all signage plans and ask the applicant to provide alternative
locations should the signage interrupt the public's view.
3. Lighting and Electrical. Artwork shall be properly lit during evening and nighttime
hours. All lighting and electrical elements should be in good working condition and meet all
current safety conditions. Lighting and electronic elements, not integral to the sculpture, will not
be included as part of the art allocation. Lighting plans must be submitted as part of the
application.
4. Landscaping and Base. Landscaping and art base should be well integrated and
securely installed. The sculpture must also be secured to the base. A licensed structural engineer
must approve and certify the installation plans as structurally sound, safe, and durable. The base
shall only house the artwork and plaque, if applicable.
5. Identification. Each artwork shall be identified by a cast bronze plaque
approximately 8"x 8". The plaque shall be placed in a ground location near the artwork, listing
only the title, artist, and date of installation. The Commission must approve any additional
plaques that may be requested.
D. Maintenance. All property owners are responsible for maintaining their artwork for
its lifetime and replacing the artwork should it be damaged beyond repair, destroyed, or stolen.
The Project Applicant should demonstrate that the selected artwork is constructed for permanent
outdoor display and that provisions have been made for its long-term care.
E. Damaged Artwork. The property owner is responsible for repairing the artwork in
the event of damage and/or vandalism. Artwork damaged or vandalized shall be repaired as
closely as possible to the original approved artwork. If repair is needed, the original artist must
be given first refusal on repair(s) for a reasonable fee. If the original artist is not available or is
unwilling to perform the required repair(s) for a reasonable fee, the owner shall make
arrangements for repair(s) with a reputable art conservator. The owner shall be responsible for
notifying the Commission and City staff of the steps that will be taken to repair the artwork.
F. Replacement of Artwork. In the event the artwork is destroyed, damaged beyond
repair, stolen, or otherwise removed from the site, the owner shall replace the artwork with a new
work of art. The owner shall submit an application to the City for review by the Commission.
The new artwork shall comply with all of the requirements of the Program in effect at the time
the work is replaced. The allocation for the new (replacement) artwork shall be calculated at 1%
of the current total building valuation, as computed by the most current Building Valuation Data
set forth by the International Conference of Building Officials (ICBG). The replacement process
shall be completed within a six (6) to twelve (12) month time frame unless otherwise agreed to
by the City.
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G. Donation of Artwork to City. Although the artwork is located in public view, the
intent of the Program is for the artwork to be located on private property as part of the fixed
assets of that property. Therefore, the City does not encourage the donation of public art to the
City. However, in special cases where it is impossible for artwork to remain on private property
and/or be maintained by the property owner, the City may consider accepting the donation of an
artwork. Property owners may submit a written request to the Commission describing the unique
circumstances and the reasons why they are requesting that the City accept the donation of the
artwork. The Commission will review their request, discuss the proposal and forward a
recommendation to the City Council.
SECTION 4. To assist in the management of the Art in Public Places Program, the
following documents have been created and are attached to this ordinance and incorporated
herein by this reference:
Attachment A: City of Azusa Art in Public Places Advisory Commission Review
Checklist.
Attachment B: City of Azusa Art in Public Places Application Checklist.
Attachment C: City of Azusa Art in Public Places Application Instructions/Submittal
Requirements.
Attachment D: City of Azusa Art in Public Places Application.
Attachment E: Artist's History of Public Art Commissions,
SECTION 5. SEVERABILITY. If any section, subsection, sentence, clause, phrase,
or portion of this Ordinance is for any reason held to be invalid or unconstitutional by the
decision of any court of competent jurisdiction, such decision shall not affect the validity of the
remaining portions of this Ordinance. The City Council hereby declares that it would have
adopted this Ordinance, and each section, subsection, subdivision, sentence, clause, phrase or
portion thereof, irrespective of the fact that any one or more sections, subsections, subdivisions,
sentences, clauses, phrases or portions might subsequently be declared invalid or
unconstitutional.
SECTION 6. CEQA. The City Council finds that this Ordinance is not subject to the
California Environmental Quality Act ("CEQA") pursuant to Sections 15060(c)(2) (the activity
will not result in a direct or reasonably foreseeable indirect physical change in the environment)
and 15060(c)(3) (the activity is not a project as defined in Section 15378) of the CEQA
Guidelines, California Code of Regulations, Title 14, Chapter 3, because it has no potential for
resulting in physical change to the environment, directly or indirectly.
SECTION 7. EFFECTIVE DATE. This Ordinance shall become effective one
hundred twenty (120) days after its adoption.
SECTION 8. PUBLICATION. The City Clerk shall certify the adoption of this
Ordinance and shall cause the same to be posted as required by law.
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PASSED, APPROVED, AND ADOPTED this 8`n day of September, 2009.
/ /Gt C
seph R. Rocha, Mayor
ATTES i
Vera Mendoza,, City Clerk
STATE OF CALIFORNIA )
COUNTY OF LOS ANGELES ) ss.
CITY OF AZUSA )
I VERA MENDOZA, City Clerk for the City of Azusa hereby certify that the forgoing
Ordinance No, 09-04, was duly introduced and placed upon its first reading at a regular meeting
for the City Council of the City of Azusa held on the 20t" day of July, 2009 and that thereafter,
said ordinance was duly adopted and passed at a regular meeting of 8th day of September, 2009,
by the vote of the Council.
AYES: COUNCIL MEMBERS: GONZALES, CARRILLO, MACIAS, HANKS, ROCHA
NOES: COUNCIL MEMBERS: NONE
ABSENT: COUNCIL MEMBERS: NONE
ABSTAIN: COUNCIL MEMBERS: NONE
Vera Mendoza, City Clerk
APPROVED AS TO FORM:
'jj�-
Sonia R. Carvalho, City Attorney
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